A Survivor Rebuilding a Life: A Review of What the Night Sings

Gerta Rausch grew up with the name Gerta Richter, unaware that she was Jewish, until the Nazis arrested her and her father in their town in the southwestern corner of Germany. Her father was a concert violinist who’d married an acclaimed non-Jewish singer after Gerta’s mother died in a fire set by the Nazis shortly after their rise to power, and he and new wife Maria gave voice and violin lessons at home. Gerta survives the Holocaust with her father’s violin, but she has lost the ability to sing. Now she lives in a displaced person’s camp on the site of the former Bergen-Belsen concentration camp recovering her strength but unable to move forward with her life alone. Still a teenager, she’s drawn to two boys—religious Lev from Poland and Zionist organizer Michah from Germany, whose mother died in Gerta’s arms in Bergen-Belsen and whose brother was killed after committing an act of sabotage against the Nazis. She’s also has a rivalry with Roza, a mediocre pianist, ever since they met in the Theresienstadt camp, but now when she sees Roza continuing to play the piano with broken and twisted fingers, she wonders why she can no longer sing.

Author/illustrator Vesper Stamper was also a musician, but an accident that ended her career inspired her to write this story of a teenager trying to rebuild her life after having lost everything. Her haunting illustrations (a passion she took up after her accident) serve as a perfect complement to the first-person narrative that reads as convincingly as a memoir. Stamper captures the voice of a Holocaust survivor, but also a seventeen-year-old who falls in love with the wrong boy and cannot believe that a former nemesis can become a friend. Gerta’s decisions, made under extreme circumstances, contribute to her growth and maturity simply because they are decisions, a path forward from the horrors of the past and the uncertainty of the present.

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